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1/15/2020

MY forest at KLEFF2019 ~ Special Film Award

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By MNS Conservation Division
as appeared in Malaysian Naturalist, Dec 2019

The Malaysian Nature Society has supported KLEFF for the second year running as part of its MY forest project, “Strengthening non-state actor involvement in forest governance in Indonesia, Malaysia, the Philippines and Papua New Guinea”, funded by the European Union and run at the regional level by BirdLife International.
MY forest focuses on capacity building non-state actors towards better forest governance, and does so by supporting its National Stakeholder Committee members, who include MNS Branches, civil society organisations, NGOs, Orang Asli and local community action groups.

     As part of this capacity building, MY forest not only supported EcoKnights, organiser of KLEFF 2019, but also offered other NSC members the opportunity to spread their message within the “MY forest Pavilion” exhibition space, which comprised four booths over the seven-day exhibition at the Publika Shopping Gallery. The slots were taken up by the MNS Selangor Branch Flora Group, Pulau Banding Foundation, The Habitat Foundation, Ecocentric Transitions and Yayasan Anak Warisan Alam (YAWA).
     Highlights include YAWA featuring their “My Food Forest” programme, where participants can dedicate a fruit or flower tree to grow a community food forest and edible landscape, and Ecocentric drawing in children and adults alike with their RIMBA card game. The Habitat also took the opportunity to engage with the public during the week, with Justine Vaz conducting a public forum on community forests, and Dr Ahmad Zafir chatting about wildlife conservation.
     On the film front, MNS for the first time sponsored the MY forest Special Award category for films with a forest governance message, believing that visual storytelling is an effective way of raising awareness about conservation. In her remarks at the launch of KLEFF 2019, MNS Vice-President Stephanie Bacon said MY forest was focused on improving the management of our rainforests for future generations, and one way to achieve this was through engagement with the public via films.
     A total of 15 films were nominated for the award, and three sessions were conducted to choose the three winners. These winning films were chosen for their message, story and visuals, and their potential to touch hearts and possibly change minds towards protecting the planet’s forests.

MY forest Special Award

First Prize Winner: “Hunting the Helmeted Hornbill”
This 13-minute film explores the helmeted hornbill landscape, both where they are found and how they are being hunted for their casques, which, similar to elephant ivory, are carved into luxury objects. Delving into efforts to protect these treasures of avian biology, and the devastating effect of poaching, conservationist Yoki Hadiprakarsa and photographer Tim Laman are on a mission to tell the story of this ancient bird before it is too late. This short documentary manages to tell quite a tale, starting from the filmmakers’ trip into the wild rainforests of West Kalimantan, and how the dearth of tall, mature trees for nests is contributing to the bird’s dwindling numbers. Then there’s the ever-growing poaching threat. Yoki says in the film, “In my estimation, 6,000 helmeted hornbills have been killed, in West Kalimantan alone, in 2013 alone.” The future of the helmeted hornbill, which has become “critically endangered almost overnight”, seems to dim by the day.

Second Place Winner: “To Find a Harpy”
There is a bird deep in the forests of South America with legs as wide as a human arm, talons longer than a grizzly bear’s, and a grip strong enough to crush bone. The harpy is the largest eagle in the Americas and the most powerful bird of prey in the world. But this ghost of the canopy is rare – so rare that many adventurers, scientists and avid birders have spent their entire lives searching, to barely catch a single glimpse. This film takes the viewer into Guyana, home to vast expanses of tangled rainforest, wide plains of natural savannah and winding river systems. Here in this global biodiversity hotspot, one woman from Sheffield, England, is living her dream of seeing this mystical bird she has loved for so long. Where indigenous tribes have stories about ancestors climbing trees that break into the heavens and of giant grey birds that carry souls to the underworld, Natasha Ellison’s quest takes her, and the viewer, into unexplored lands.

Third Prize Winner: “Cloud Kingdom”
This journey into the Cloud Forest of Mount Brinchang is breathtaking from its opening. Taking in the mist, the trees, the sounds of nature and the delicate treasures of these mountains, the film captures the very essence of this beloved highland retreat. The story then flows into the ecosystem services provided by these forests: fresh, clean water, sparkling in the sunlight as they flow in rivulets downstream. Yet, three minutes in, the stream gets muddy, as the true cost of Cameron Highlands is laid bare: Excessive use of pesticides by farmers pollute its microclimate and water reserves, while expansion into the forest for commercial purposes damages its ecological structure. The Cloud Forest is facing attacks from within its environment by the very people living under its shelter, these Nanyang Technological University, Singapore, students document. If this destruction continues, the 200-million-year-old Cloud Forest will soon see its end – and with it, its protection of Cameron Highlands as a whole.

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1/9/2020

My forest at KLEFF2019 ~ Climate Change in Dying Colour

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By MNS Conservation Division
as appeared in Malaysian Naturalist, Dec 2019

CLIMATE CHANGE is merely a concept, some people argue. Propaganda, conspiracy, anti-development rhetoric; easy words to say from the comfort of an air-conditioned home. However, when the devastation is writ large – on big screen, in high definition – it is harder to ignore the truth.
Receding icebergs, death of small communities, air pollution, heat wave fallout and people dependent on the environment for survival. These were some of the stories projected on screen, and into eyeballs, straight to the brain, at the 12th edition of the International Kuala Lumpur Eco Film Festival from 7th to 13th October 2019.

     Themed “Climate Change… Now!”, KLEFF 2019 explored stories of people and organisations committed to taking climate action to create maximum impact on sustainable development. Receiving 233 submissions on environment-themed films from 48 countries, the list was whittled down to feature 83 ground-breaking films of various lengths and genres.
     The film festival was a platform that aimed to, said Dr. Yasmin Rasyid, KLEFF Founder and Honorary Advisor, uplift the country, and at some point use films to change politicians’ perspectives, to change policies, to change how Malaysians live their lives.
     “Films are very powerful tools. I wanted to see how Malaysia can use films to get people to start thinking differently, to spark conversations, to take action, to make something out of everything.
     “I hope KLEFF in its 12th year will resonate with the Malaysian public and inspire them to take immediate action for a better and sustainable Malaysia,” she said when launching KLEFF 2019 at Taman Tugu.

This was also the second year of the Malaysian Nature Society supporting KLEFF, and MNS Vice-President Stephanie Bacon said the “Climate Action… Now!” theme was timely and crucial.
“It’s paramount that Malaysians begin to understand what it means,” she said, and referred to the haze hazard that took over Malaysia’s skies for weeks in September. “It’s evident that the haze is affecting the climate. It’s changing today’s climate, but unfortunately, it’s also changing tomorrow’s climate, because every forest tree that is cut down means a negative impact on fighting climate change.”

Dr. Yasmin Rasyid, KLEFF Founder and Honorary Advisor

Stephanie Bacon, MNS Vice-President

    Stephanie also called upon Malaysians to take action in their own way. She said it shouldn’t be forgotten that humans changed the climate, and it was up to us to take action, to reduce our carbon footprint, use of fossil fuels and energy we use, to change our mode of life.
     “One of the best things we can all do is to plant a tree, but it takes 90 years for a Malaysian rainforest tree to mature.” She said it would have been better to have planted a tree 20 years ago, “but if you hadn’t done it then, plant one today.”
     MNS’s support in KLEFF 2019 also extended to the creation of the MY forest Special Award for films with a forest governance message, and Stephanie said the festival was a great platform for raising awareness about environmental issues.
     The festival also featured a variety of activities surrounding the theme and also the environment in general. These included workshops, such as for making DIY furnishings, turning cooking oil into soap, recycling plastic into woven baskets and making eco-bricks. Then there were instructive sessions into, among others, wildlife photography and wildlife species and protected areas, and a bustling green market featuring sustainable products from NGOs and small companies.

Yeo Bee Yin, Minister of Energy, Science, Technology, Environment and Climate Change (centre) at the award ceremony

     This year, KLEFF also split into two sessions, thanks to a partnership with Malaysian Green Technology Corp., which organised the 10th International Greentech & Eco Products Exhibition and Conference (IGEM 2019) at the Kuala Lumpur Convention Centre from 9th to 11th October.
      This was the second year of Malaysian Green Technology’s collaboration with KLEFF, according to its Chief Strategic Communications Officer Elina Jani. She said the impetus to collaborate came from Yeo Bee Yin, Minister of Energy, Science, Technology, Environment and Climate Change, and was part of the government’s focus on social contribution by businesses.
     “Ultimately, the triple bottom line is where we collaborated with KLEFF, to showcase young filmmakers and global sustainability issues and how they relate to businesses,” Elina said at the launch. The adjacent activities at IGEM comprised the KLEFF 2019 Award Ceremony, informative booth, virtual reality experience and premier film screenings.
     The Award Ceremony was held during a luncheon in conjunction with IGEM 2019, graced by Minister Yeo Bee Yin, who said in her keynote speech that such initiatives by NGOs should be supported.

KLEFF 2019 winners
Of course, we can’t go on about a film festival without touching on the cream of the crop, whittled down from 233 entries to 83 finalists, and winners in five general categories and four special categories.

Best Feature Film went to “Beyond Climate”, by Ian Mauro (Canada). Narrated by Dr. David Suzuki, renowned scientist, broadcaster and environmentalist, the film explores the human and environmental impact of climate change in British Columbia, which is a hotspot to visualise and experience how global warming affects local environments and communities, in terms of heat waves, droughts, melting glaciers, pest outbreaks, back-to-back record-setting forest fires and changes to the oceans.

Best Short Documentary was awarded to “Education on the Boat – A New Hope for Tomorrow”, by KM Taj-Biul Hasan (Bangladesh). This film focuses on the climatic adverse condition of “Cholon Beel”, the biggest wetland of northeastern Bangladesh that is inundated with water for eight to nine months of the year, and the inhabitants who are completely dependent on the mercy of the environment for survival.

Best Short Film and Special Merit Award went to “Sleepless”, by Sean Lin (Malaysia). A scenic view of Mongolia can’t mask the truth at ground level, where indigenous nomadic tribes are dying off from the impact of climate change. The film uses minimal dialogue and stirring music to contrast starkly with scenes of devastation, as the film solemnly declares at the end that Mongolia’s capital Ulaanbataar is the world’s most polluted capital, and communities such as the Tsaatan reindeer herders are being threatened into extinction.

Best Animation was awarded to “Barely Alive” by Chan Ming Chun (Hong Kong), which follows the harsh life of a teenage protagonist whose mother died in a heat wave.

Best Public Service Announcement: “Carbon Building Blocks of Life”, by SCM Asia (Malaysia), which was also the film used for the virtual reality experience throughout KLEFF 2019.

Special Jury Award: “Messages from the End of the World”, by Matteo Born (Switzerland). This 51-minute film tells the story of a retired couple who takes five young Swiss people – and the audience – to the arctic circle to observe for themselves the signs of global warming, and consequently to report on and utilise their youth and social media savvy to create awareness among their generation. The exploration of this icy landscape, especially the receding glaciers, and threat of thawing permafrost on the Global Seed Vault, brings to life the true costs of a warming planet.

Asean Young Filmmaker went to “Cloud Kingdom”, by Nady Afiqah (Singapore). This short documentary about Cameron Highlands, specifically the threat to the supply of clean water, also won second place in the MY forest Special Award.

MY forest Special Award went to “Hunting the Helmeted Hornbill”, by Tim Laman and Tom Swartwout (Thailand), focusing on the critically endangered bird hunted for its casque.

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MY forest at KLEFF2019 ~ Special Film Award

My forest at KLEFF2019 ~ Climate Change in Dying Colour

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